I’m listening to Fauré’s Requiem. I’m not sure why. It’s one of those Sundays. Fresh figs, Fauré, Fellini with my friend F. Finally posting something here.
I dismissed Fauré when it came to choosing the music for Dad’s funeral. It was a strange task, like making a mix tape for someone you love while knowing they’ll never listen to it. Trying to juggle “what would he have wanted?” with “but does it really matter now anyway.?”
Dad loved music and had pretty eclectic taste. But in the end, I chose things I also liked. Britten’s Fifth Sea Interlude from Peter Grimes (suggested by C, and I now can’t listen to it without weeping); Haec Dies by Tallis, sung by the choir of his old college; Baby It’s Cold Outside (it was!) sung by Ella Fitzgerald and Louis Armstrong; and the Habanera from Carmen, sung by Maria Callas. The latter is such a wonderful piece of music and I feel it captured something about Dad in a way that In Paradisum wouldn’t have done.
As well as Britten and Bizet, Dad loved D.H. Lawrence. In fact he taught a course on Lawrence and Conrad for years (I read the last lines of The Nigger of the Narcissus* at the funeral). Once when I was little I asked him why he had no male friends (not quite true) and he said: “because I’m like D.H. Lawrence: I prefer women.” He also tried to suggest that he had chosen my name because it was that of Lawrence’s mother, but we both knew that it was really my mother’s choice and had very little to do with DHL. I recently read an article in the Guardian by Geoff Dyer about buying one of Lawrence’s letters. (Btw, I inherited Dyer’s book about not writing a book about Lawrence, Out of Sheer Rage, from Dad and enjoyed it immensely). It’s an interesting piece on several levels, but what struck me was when Dyer quotes Frieda (DHL’s wife) describing a quality in her late husband: “I called it love, but it was something else – Bejahung in German, ‘saying yes’.'”
Without knowing there was a German word for it, I’d always thought of Dad as a “saying yes” sort of person. A very dear friend of his and mine (who is German, as it happens) used the phrase joie de vivre in relation to him. That stuck in my head too. How else to describe it? A lack of self-pity combined with a ready sense of humour. An ability to take pleasure in the small things in life that stayed with him till the end and made being with him a pleasure in itself. And always that affirmation: neither pushing nor detracting. Just … yes.
Writing this blog has been enlightening, challenging, comforting … I’m not sure if this is the end or a bend in the river. For now, I’m just going with the flow.
* From The Nigger of the Narcissus by Joseph Conrad:
A gone shipmate, like any other man, is gone for ever; and I never met one of them again. But at times the spring-flood of memory sets with force up the dark River of the Nine Bends. Then on the waters of the forlorn stream drifts a ship—a shadowy ship manned by a crew of Shades. They pass and make a sign, in a shadowy hail. Haven’t we, together and upon the immortal sea, wrung out a meaning from our sinful lives? Good-bye, brothers! You were a good crowd. As good a crowd as ever fisted with wild cries the beating canvas of a heavy foresail; or tossing aloft, invisible in the night, gave back yell for yell to a westerly gale.














